InstaColour“I feel I am witnessing the beginnings of new religions, [in which] the symbolism of lights and colours are being discovered and explored... Something is happening and is happening fast - and it has something to do with light, it has everything to do with light - and everybody feels it and is waiting- often, desperately. - Jonas Mekas, 196620 / 20 #SplitPersonality Ongoing for 2020“Texture is the crystallization of [your] choice[s]” - Jacqueline Lamba (+/-) 💡✨The night of the barking dog ...#Pariah 3 / 13 / #1985 #185RichmondSt #185RichmondStW #TwilightLane #TwilightZoneToronto #Toronto #ShadowyMenOnAShadowyPlanet #GidgetGoesToHellFreaky Specimen 🔬#thecolourandtheshape"I want to find my own small plot or pattern of energy that will express the inner me in terms of rhythmic movement and color." - #VivianSpringfordDark #happening // Tee-Be-Tea
- @nycjim I would say “Green Onions” (I caught the only one at my 1st show), but really - “Dark Star”, for sure! ✌🏼✨ 🌚 💫 ⭐️ 2 days ago
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Tag Archives: jamImage
This one is going up a little late, but a great multi-sensory collab went down at Toronto Art Spin last week, which evolved from that “Sound & Light” residency last Spring at Somewhere There . Guitarist Arnd Jurgensen, whom Michael Kaler had recruited to be part of a few ‘random’ ensembles, was this time in position to do some recruiting, and did just that, putting together an ensemble that included Kaler, saxophonist Paul Newman, and drummer Ambrose Pottie. I held the projection chair, and our spontaneous performance at Fort York was one of several stops on the bike trail for this edition of Art Spin.
“There’s no such thing as improvisation. There’s only composition. Only you do it quickly; you’re composing on the spot.”
The projectors will crackle, Kyle Haight will be doing live painting, and some other guests TBA will be in the house to complete the experience. Join us.
4 humans + 1 machine + 1 projector with liquids
Hard to believe we’ve played Owen Sound twice, and not once in this great city right next door. Not that it hasn’t been on my radar since we started gigging in 2009. It has. Somehow since my last Grateful Dead concert (ironically Copps Coliseum on 1990-03-22), and my popping my head up out of the studio trenches in 2007, curious once again about the ‘jamband scene’ (always a dubious term, but we’ll save that discussion for another time), Hamilton had become Ontario’s hub. Obviously bands traveling in from the US were more likely to stop in TO, but not always – Garaj Mahal and a few others were notable exceptions, adding a stop in the Hammer to their short North-of-the-border schedule, or playing exclusively there.
How did this come about? I personally have no idea. There’s always a reason, though. Fill me in.
Must Stash Hat were uber-kind to ask us to open for them at what I’ve heard is a great venue: Homegrown Hamilton. We really dug MSH’s set when we gigged together at The Bovine in February – very tight, almost hypnotic, groove-oriented jamming, that really floored me. I was struck again by how many different approaches exist under the ‘improvised music’ umbrella, all taking us to the same place, but along different paths.
Crosswires is a recently launched pwyc night Sundays at The Garrison, curated by Doc Pickles of TO’s Wavelength crew. So far the lineups have been very interesting, and tastefully eclectic, with visuals by General Chaos being a regular feature of each gig. Nice!
— Crosswires (@CrosswiresTO) April 23, 2012