Tag Archives: psychédélique

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Something Cosmic…..

Something Cosmic.....

Video

A little fun in the lab….

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Greetings From The Land Of Bubbles

land_of_bubbles

Feed Your Head #5

FeedYourHead5

FB Event
BlogTO Event

“There’s no such thing as improvisation. There’s only composition. Only you do it quickly; you’re composing on the spot.”
-Jerry Garcia

The projectors will crackle, Kyle Haight will be doing live painting, and some other guests TBA will be in the house to complete the experience. Join us.

**canceled**

Synaesthesia @ The Garrison

4 humans + 1 machine + 1 projector with liquids

Garrison Jan 11th/2013 photo by @thebradee

Garrison Jan 11th/2013 photo by @thebradee

Backstage: Ancient runes from previous musical civilizations, warning of bad monitor mixes...

Backstage: Ancient runes from previous musical civilizations, warning of bad monitor mixes…

Garrison Jan 11th/2013 Photo by Kenneth Laing Herdy

Garrison Jan 11th/2013 Photo by Kenneth Laing Herdy

Garrison Jan 11th/2013 Photo by Kenneth Laing Herdy

Photo by Kenneth Laing Herdy

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January’s Offering

January's Offering

Psyched to return to The Garrison for an Exhale event…

FB Event: http://www.facebook.com/events/128215690669326/

BlogTO Event: http://www.blogto.com/events/68321

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blue + orange

4V2

Somewhere There Light Projections #3

L to R: Jamie Thompson flute, Erik Colin Ross, keys, Andy Yue, keys, Michael Kaler, bass, Arnd Juergensen, guitar, and Paul Newman, sax.

In Memoriam: Frazier Mohawk / Barry Friedman

Since the beginning, “Frazier Mohawk’s coffee bean grinder” has been listed as a lightsweetcrude influence: long story, but a little imagination will get you there… He was a one-of-a-kind individual who helped form the Buffalo Springfield, had a hand in many goings on in Hollywood in the ’60s, worked at Elektra, and was a very positive musical force and mentor to anyone in his presence. He also hated Pro Tools – he knew how to make a record, and still believed in the magic that happens when the red light goes on…. In a world of industrial units with SSLs thrown in, Puck’s Farm was (and is) a unique studio with a real aesthetic and atmosphere, that sends you right back to another time and place: a better sounding one. That aesthetic: one of rustic vibes, wood, art, 1930’s Hollywood artifacts, ancient microphones, tape, and a huge but warm recording space, was Frazier’s. Coupled with the fact that this creative space was located on a fully functional farm, it made for an almost otherworldly experience. Leaving late at night, you could hear animal whispers everywhere, and dark percussive sounds coming from the emu “quarters”. Always meant to record that… I had the pleasure of working there for a few years, and it was an experience that has been with me ever since. I’m grateful to have had a generous taste of a world that is slowly disappearing. Thanks for all the stories, the laughs, and the knowledge, Frazier. Rest in Peace.

Frazier’s story
A taste of Frazier’s world in 1968

Homegrown Hamilton



File under: *awesome night*
Photos courtesy of Rob Rush (upper) and Paola Martinez Hernandez.